Artist Statement

Gillian Lawler’s work is about landscape and memory, exploring the tension between the real and
imagined. She uses her own unreliable recollections of human habitats, wilderness, edgelands and
abandoned settlements to accumulate references that shape a perceived reality rather than a
literal one.

Abandoned places become backdrops, creating a vista that allows her to imagine alternative
timelines or dimensions. These places exist in flux, uncertain and simplified, reducing nature to a
series of indefinite structures and conceptual visions of space, time, and existence.
A more personal dimension emerged following the loss of her mother in late 2017. Themes of
transformation and transition became deeply resonant, reflecting both the physical and
metaphysical process of change. Lawler tries to understand corporeal transformation as an
intangible connection to presence. Forms in the work metamorphose, taking on subtle qualities of
release and rebirth.

These forms are at times grounded, moving, suspended, tethered, hovering, unfolding, or standing
apart from the surrounding landscape. They invoke ghostly inhabitants, acting as sentinels
observing from a distance, traveling elsewhere, sometimes conspicuous, sometimes camouflaged
by elaborate patterning—creating a surreal, dreamlike discomfort where perspectival logic is
withheld and subverted.

These accumulated experiences have led to an exploration of space where the veil between this
world and the next becomes thin and exposed, suggesting an inner world positioned between the
conscious and unconscious.

Painting itself, for the artist, is inherently connected to the unconscious, the place in one’s psyche
where primal life experiences form an elaborate pattern and from which we navigate the world as
human beings. The act of painting provides a space to experience sensation, memory and
intuition, where images appear before meaning fully takes shape. This process allows forms to
slowly emerge through multiple thin layers, gradually becoming tangible through a delicate
interplay of presence and absence, structure and dissolution yet always retaining an element of
uncertainty where meaning remains elusive and just beyond reach.

Biography

Gillian Lawler is an Irish artist based in Dublin. She received a BA in Fine Art Painting from the National College of Art and Design, Dublin, in 2000. She has presented over 18 solo exhibitions across Ireland and internationally, with shows in North America, England, Wales, Northern Ireland, Croatia, Poland, Spain, the Netherlands, and Italy.

She has received numerous awards, including the Hennessy Craig Scholarship at the RHA Annual Exhibition (2007), the Whyte’s Award at the RHA Gallagher Gallery (2007), the Open Selection Exhibition Award at Éigse Arts Festival (2009), the Graphic Studio Dublin Residency Print Award (2019), and the Parenting Residency Award at Cow House Studios (2022). Other accolades include multiple Arts Council Bursary Awards (2024, 2022, 2020, 2009), Culture Ireland Awards (2021, 2018, 2017, 2011), and an invited studio residency at the RHA Gallery (2009). She was also shortlisted for several prestigious prizes, including 100 Painters of Tomorrow, Beers Lambert Contemporary/Thames & Hudson (2013), the Celeste International Art Prize (2012), and the Golden Fleece Award Merit Prize (2013).

Recent solo exhibitions include Edgelands at the Molesworth Gallery, Dublin (2023), and Edgelands at Weber & Weber Gallery, Turin, curated by Valeria Ceregini (2022). Recent group exhibitions include On Waking (curated by Jenny Eden and Rebecca Sitar) Limerick City Gallery of Art (2025), Behind the Curtain, Artworks 2024 , VISUAL Carlow (2024), RHA Annual Exhibition, RHA Gallery, Dublin (2000–2025), The Golden Fleece Award: 21 Years (curated by Aisling Prior), Solstice Arts Centre, Cavan (2023), and Pallas Periodical Review Pallas Projects/Studios, Dublin (2022).

She is co-founder/member of the group Difference Engine, an evolving serial exhibition, and a model of autonomous artist curation, with artists Mark Cullen, Jessica Foley, Wendy Judge, and featuring Gordon Cheung. Each Manifestation of Difference Engine is based upon an ongoing collaboration, a kind of ‘Jamming’, between the artists. The result yields engaging experimental exhibitions combining installation, video, painting, sculpture and writing

www.differenceengineartists.org

CV

Website: http://www.gillianlawler.com

Instagram https://www.instagram.com/lawlergillian/

1996 – 2000: National College of Art and Design, Dublin. Graduated with B.A. in Fine Art/Painting.

2000 – 2008: Co founder of Brunswick Mill Studios, Dublin.

2000 – 2008 Cross Gallery, Dublin.

2009: Studio Residency, RHA Gallagher Gallery, invited artist.

2015 – 2024 Molesworth Gallery, Dublin

2009 – present: Co founder of Difference Engine artist group. Mark Cullen, Wendy Judge and Gillian Lawler)

2009 – present: Member of Pallas Projects/Studios, Dublin.

Represented by the Weber and Weber Gallery, Turin, Italy 2021 – present. http://www.galleriaweber.it/index.php/artisti?id=74

Upcoming exhibitions

Solo at the Weber and Weber Gallery, Turin (dates to be announced)

Group exhibition (On Waking) West Cork Arts Centre (dates to be announced)

Awards and Residencies

Visual Arts Bursary Award 2024, Arts Council of Ireland

Tyrone Guthrie Centre Residency 2023

Visual Artist Bursary 2022 Arts Council of Ireland

Parenting Residency Award, Cow House Studios, April 2022

Culture Ireland, solo exhibition at the Weber and Weber Gallery 2022

Visual Arts Bursary 2020, Arts Council of Ireland

Graphic Studio Dublin Print Residency Award 2019

Culture Ireland, funding for solo exhibition at the Weber and Weber Gallery, Turin, 2018

Kildare County Council, Arts funding, 2018

Culture Ireland Award 2017/2018, HDLU Zagreb, Difference Engine group exhibition, 2018

RESORT residency, Portrane, Difference Engine, Worldising, September 2017/2018

Culture Ireland Award, Difference Engine Travelator, ONONO Gallery, Rotterdam, 2017

Kildare County Council Arts Award 2015

Arts Council Travel and Training Award 2013, research trip to Centralia, Pennsylvania

Shortlisted for the ‘100 Painters of Tomorrow’, Thames and Hudson Book initiated by Kurt Beers, Beers Lambert Contemporary 2013

Kildare County Council Arts Award 2013

Merit prize, the Golden Fleece Award 2013

Shortlisted for the Celeste International Art Prize 2012, selected by Risa Shoup, Invisible Dog, New York

Cill Rialaig Residency 2012, invited artist

Culture Ireland Award 2011, exhibition at CSV Cultural Centre, New York

Kildare County Council Arts Award 2011

Shortlisted for the Beers Lambert Contemporary Open Call, I am solitary, London 2011

Eigse Arts Festival, Winner of Open Selection 2009, curated by Marie Hanlon

Arts Council Visual Arts Bursary Award 2009

Kildare County Council Arts Award 2009

Music Recording Assistance Opportunity, Dublin City Arts Office, 2009

Studio Residency, R.H.A. Gallagher Gallery, invited artist, 2009

Arts Council Travel and Training Award 2007

Winner of The Hennessy Craig Award, R.H.A. Gallagher Gallery, Annual Show 2007

The Whytes Award, R.H.A. Gallagher Gallery, Annual Show 2007

Cill Rialaig residency 2007, invited artist

Runner up for the Hennessy Craig Award, R.H.A Gallagher Gallery, Annual Show 2006

Short-listed for the RE/MAX Dolmen and John J Duggan Awards at the Eigse Arts Festival 2003

Collections

2023 Edgelands, Molesworth Gallery, Dublin.

2022 Edgelands, The Weber and Weber Gallery, Turin, curated by Valeria Ceregini.

2020 Molesworth Gallery, Dublin, There are intangible realities that float near us, formless and without words.

2018  Weber and Weber Gallery, Turin, Italy, This Entropic Order.

2018   Molesworth Gallery, Hiraeth.

2016   Molesworth Gallery, eminent domain.

2015   Pallas Projects/Studios, Dublin, eminent domain II.

2014   Galway Arts Centre, eminent domain.

2010   Fenderesky Gallery, Belfast.

2010   Cavanacor Gallery, Fields of Vision, Donegal.

2009   The Dock Arts Centre, Leitrim.

2009   This is not a shop, Dublin.

2008   Cross Gallery, Dublin.

2007   Draiocht Arts Centre, Dublin.

2007   Fenderesky Gallery, Belfast.

2006   Cross Gallery, Dublin.

2004   Cross Gallery, Dublin.

2002   Cross Gallery, Dublin.

Group Exhibitions

2025 Pallas Projects present Pallas 30, Contemporary Auction, City Assembly House, Dublin, 2025. Director’s Cut, Permanent Collection selected by Una McCarty, Limerick City Gallery of Art. On Waking, Limerick City Gallery, curated by Jenny Eden and Rebecca Sitar. 195th RHA Annual Exhibition, RHA Gallery, Dublin. Hermione Exhibition, Alexandra College, Dublin.

2024 Behind the Curtain, Artworks 2024, Visual, Carlow. Hermione Exhibition, Alexandra College, Dublin. 194th Annual Exhibition, RHA Gallery. Naas Library and Cultural Centre, Municipal Permanent Collection. Pallas for Palestine, The Bank at the Digital Hub, Dublin.

2023 Winter show at the Molesworth Gallery. Opere, group exhibition at the Weber and Weber Gallery, Turin. 193rd Annual Exhibition, RHA Gallery, Dublin. Finding Form, Kildare County Council’s Municipal Art Collection curated by Paula Barrett, the McKenna Gallery,, Riverbank Arts Centre, Newbridge.

2022 Practical Magic – Pallas Periodical Review, Pallas Projects, Dublin. Winter Exhibition, Molesworth Gallery, Dublin. 192nd Annual Exhibition, RHA Gallery, Dublin. The Golden Fleece Award 21 years, curated by Aisling Prior, Solstice Arts Centre, Cavan. 60 Years Retrospective, Graphic Studio Dublin at the RHA Gallery, curated by Eithne Jordan.

2021 6th Biennial of Painting, HDLU, Zagreb, Dubliners curated by Pallas Projects (Mark Cullen and Gavin Murphy). Winter Exhibition, Molesworth Gallery, Dublin. Chrysalis at the Molesworth Gallery, Dublin. 191st Annual Exhibition, RHA Gallery, Dublin.

2020 190th Annual Exhibition, RHA Gallery, Dublin. Visits/Revisitations, group show of gallery artists, the Weber and Weber Gallery, Turin.

2019 Group exhibition, The Weber and Weber Gallery, Turin. 189th Annual Exhibition at the RHA Gallagher Gallery, Dublin. Irish Art Now, Contemporary Art Auction in association with Pallas Projects, Whytes Art Auction and The Irish Georgian Society, City Assembly Hall, Dublin.

2018 Vue Art Fair, RHA Gallery and Molesworth Gallery, Dublin. Revelations, RESORT Residency, Portrane, County Dublin. Shankill Castle Arts Festival, Kilkenny. Boyle Arts Festival, invited artist. House Taken Over, Sonorities Festival, Belfast, curated by Ciara Hickey and Nora Hickey.Difference Engine, ALTERN_ATORS,The Croatian Association of Artists, Zagreb, Croatia. Hermione Exhibition, curated by Aisling Prior, Dublin.

2017 Nasty Women, Pallas Projects, Dublin. Difference Engine, Travellator, ONONO Gallery, Rotterdam, 2017. Invited artist, RHA Gallagher Gallery, 187th Annual Exhibition, Dublin. Hermione Exhibition, Alexandra College, Dublin.

2016 Winter group show at the Molesworth Gallery, Dublin. Vue Art Fair, Molesworth Gallery at the RHA Gallagher Gallery, Dublin. Pallas Projects Gala Benefit Auction with Whyte’s at the Irish Georgian Society, Dublin. Winter group exhibition, Molesworth gallery, Dublin. 186th RHA Annual Exhibition, Dublin.

2015The Future is Self-Organised – Artist-Run Spaces, curated by Pallas Projects, Limerick City Gallery. VUE Art Fair, Dublin, Molesworth Gallery. Wavelength, Helen Blake, Gillian Lawler, Bridget O’Rourke & Tom Phelan, Molesworth Gallery, Dublin. 185th RHA Gallery Annual Exhibition, Dublin. Panorama, an exhibition of female contemporary painters in Ireland, curated by Kathy Tynan and Channelle Walshe, Pallas Projects, Dublin. Kilkenny Arts Festival, Jonathan Swift Gallery.

2014  Just MAD Art Fair, Madrid, curated by Jim Ricks. Lacuna {02}, Taylor Gallery, curated by Sabina McMahon and David Quinn. Claremorris Gallery, Entropy, Gillian lawler, Aidan Crotty and Michael Wann. Kilkenny Arts Festival, Jonathan Swift Gallery, Art for Gaza, Oonagh Young Gallery. Pallas Projects/Studios Gala Benefit Auction with Whyte’s at the Irish Georgian Society, Dublin. The Winter Art Studio, The Ark, Dublin. Wexford Arts Festival, Jonathan Swift Gallery.

2013 40/40/40, OPW State Art Collection, OPW Head Office, Trim. Unearth, BLOCK T, Roscommon Arts Centre, curated by Block T and Mary Cremin. Limerick City Gallery of Art, Difference Engine, Accumulator III.  Black Country, Lion and Lamb Gallery, London, curated by Nancy Cogswell. 40/40/40, OPW State Art Collection, Rathfarnham Castle, Dublin. Kilkenny Arts festival, Jonathon Swift Gallery. RHA Annual Exhibition, RHA Gallagher Gallery, Dublin. Claremorris Gallery, 3 person show with Ann Quinn and Aidan Crotty.  Difference Engine, Accumulator II, The Oriel Myrrdin Gallery, Wales. 40/40/40 Exhibition of Contemporary Art celebrating Ireland’s 40 years in the European Union, OPW, exhibition touring to Centro Cultural Conde Duque, Madrid, (March – April), Biblioteka Uniwersytecka, Warsaw, (May – June) and Palazzo Della Farnesina, Rome, (June – July).

2012  Difference Engine, Accumulator, West Cork Arts Centre. RHA Annual Exhibition, RHA Gallagher Gallery, Dublin. Kilkenny Arts Festival, Jonathon Swift Gallery. Wexford Arts Festival, Jonathon Swift Gallery.

2011  Systems Beyond Certainty, Beers Lambert Contemporary, London. Pallas Periodical Review, Pallas Projects, Dublin. Difference Engine, Manifestation III, CSV Cultural Center, New York. Mesh, Limerick Art Fair and Block T.  RHA Annual Exhibition, RHA Gallagher Gallery, Dublin.  New Connections, Rua Red Arts Centre, Tallaght, Dublin. Eigse Arts Festival, AIB Collection, Visual Centre, Carlow, Invited artist.  Difference Engine, Manifestation IV, Wexford Arts Centre. Difference Engine, Manifestation V, SOMA, Waterford. Wexford Arts Festival, Jonathan Swift Gallery.

2010  Bizarre Bazaar, Pallas Contemporary Projects, Dublin.  Wexford Arts Festival, Johnathon Swift Gallery.  Black Mariah Gallery / Triskel Arts Centre, Difference Engine, Manifestation III,  ESB Sub Station, Cork.  RHA Gallery Annual Exhibition, Dublin.

2009  Preponderance of the Small, Douglas Hyde Gallery, Dublin. Difference Engine, Manifestation II, Cake Contemporary Arts, Kildare.  Fenderesky Gallery, Belfast. No Soul For Sale: A Festival for Independents, X-Initiative New York City. Dublin Arts Fair, RDS.RHA Gallery Annual Exhibition, Dublin. ‘What Hiver’, group show curated by Cora Cummins, Temple Bar Gallery, Studio 8, Dublin. Eigse Arts Festival, Group show curated by Marie Hanlon, London Art Fair, group show, John Martin Gallery, London.

2008 Winter Salon, Temple Bar Gallery, Dublin. Timbuktu, Pallas Contemporary Projects, Dublin. Cavanacor Gallery, Donegal. Confessions of a Tiger, The Brick Lane Gallery, London. Fenderesky Gallery. group show. Greenstar Exhibition, Mermaid Arts Centre, Bray.  Eigse Arts Festival.  Lavit Gallery, Cork, group show curated by Bridget Flannery.

2007  Annual show, R.H.A. Gallagher Gallery, Invited Artist.  Boyle Arts Festival, Invited Artist. Fenton Gallery, Cork. Fenderesky Gallery, Belfast, Temple Bar Gallery, The Big Shop.  Pallas Contemporary Project, ‘Thirty two thousand years later.’

2006  Annual show, R.H.A Gallagher Gallery, Dublin. Invited artist, Eigse Arts Festival.

2005  Annual show, R.H.A. Gallagher Gallery, Dublin. Eigse Arts Festival. Temple Bar Gallery and Studios, A Moment in Time.

2004  Basement Gallery, Dundalk, Brunswick Mill Studios Group exhibition. Mermaid Arts Center, Bray, Brunswick Mill Studios group exhibition. Temple Bar Gallery, Full Circle, Group exhibition. Gala Banquet show, RHA Gallagher gallery, Invited artist.

2003  An Grianan Theatre, Letterkenny, Brunswick Mill Studios group exhibition. Eigse Arts Festival, Carlow. Temple Bar Gallery, 50/50 group exhibition.

2002  Wexford Arts Festival, invited artist, Kelly’s Resort Hotel. Dunamaise Center for the Arts, Portlaoise, Brunswick Mill Studios group show. R.H.A. Gallagher Gallery, Annual Exhibition, Invited Artist.  Eigse Arts Festival.  Temple Bar Gallery, 20/20 group exhibition. Rubicon Gallery, Dublin, Heaven and Earth.

2001  Ashford Gallery, Dublin, Three-person show, Makiko Nakamura, Gillian lawler and Angela Hackett, curated by Mark Sjn Ellis. Cross Gallery, Gillian lawler, Cara Thorpe and Eoin MacLoughlainn. Eigse Arts Festival, Carlow.  Wexford Arts Festival, Kelly’s Resort Hotel, invited artist.

Talks and Interviews

Mothership Podcast interview with Mark Cullen and Michelle Browne.

Difference Engine – Mark Cullen, Wendy Judge and Gillian Lawler – Talk as part of the Future Academies lecture series at the RHA Gallery on the 28th of February at 530pm.

More info at https://rhagallery.ie/events/event/future-academies-difference-engine/

Artists beyond the Studio 11 – Graphic Studio Dublin 2021.

Bibliography

Pallas Periodical Review, exhibition catalogue 2022.

Interview with Guilia De Sanctis for Artribune Magazine, March 2022, https://www.artribune.com/arti-visive/arte-contemporanea/2022/03/intervista-gillian-lawler-mostra-torino/

Review of the Winter Show at the Molesworth Gallery by Jennie Taylor in the VAN Visual Artist Newssheet Feb 2022.

Feature by Sara Keating, The Irish Times, February 2021, https://www.irishtimes.com/culture/it-feels-like-being-back-in-the-1950s-artists-with-children-face-a-covid-dilemma-1.4462158

Juliet Art Magazine, Interview with curator Valeria Ceregini about my exhibition This entropic order at the Weber and Weber Gallery, Turin, Italy, November 2018. https://www.juliet-artmagazine.com/en/gillian-lawler/

La Repubblica, review of this entropic order at The Weber and Weber Gallery, Turin. 29/11/2018.

Review of Hiraeth at the Molesworth Gallery by Aidan Dunne, The Irish Times May 2018. https://www.irishtimes.com/culture/art-and-design/visual-art/visual-art-bloodlines-aspect-and-hiraeth-review-1.3490790

A review of recent work by curator Valeria Ceregini 2018 https://valeriaceregini.wordpress.com/

Ramon Kassam presents a survey of Irish Contemporary Landscape Painting in Ireland, http://visualartistsireland.com/tag/ramon-kassam-presents, Visual Artists Newssheet, Sept/Oct 2017.

Review of ’eminent domain’ at the Molesworth Gallery, by Aidan Dunne, The Irish Times, 2016. http://www.irishtimes.com/culture/art-and-design/visual-art/visual-art-sabine-mac-mahon-finds-a-cure-for-1916-fatigue-1.2612367 

http://greenpainterly.com/347-2/ Painting landscape and the Painting landscape by Ramon Kassam, Greenpainterly.com October 2016

Review of ‘The Future is Self Organised’, by Gemma Tipton, Artforum, January 2016, http://artforum.com/picks/section=ie#picks56971

Review of ’eminent domain II’ at Pallas Projects by Aidan Wall, Totally Dublin magazine, November issue 2015.

The Irish Times, The Ticket, 22nd of October 2015.

Le Cool Dublin, review by Olen Bajarias, http://dublin.lecool.com/event/eminent-domain-ii/, October 2015.

http://www.thelifeofstuff.com/index.php/exhibitions-in-dublin-you-should-know-about-this-september-2015/

Review by http://www.visitdublin.com: http://www.visitdublin.com/see-do/details/gillian-lawler-untitled/511502/#53.341105|-6.256165|16

Widen The Circle, Emerging Artists rival big names at the RHA annual show. Article by Cristin Leach Hughes. The Sunday Times Culture Magazine, page 20, June 7th 2015.

Review of Difference Engine, Accumulator II at Limerick City Gallery of Art, 2013 by Michaele Cutaya, Limerick City Gallery Exhibition Texts 008, 2014.

Totally Dublin, Gala Benefit Auction. Pallas Projects/Studios with Whytes Auctioneers at The Irish Georgian Society, Sept 2014, Vol. 120.

Black Country, at the Lion and Lamb Gallery, London, curated by Nancy Cogswell, review by Andy Parkinson http://patternsthatconnext.wordpress.com/ 2013.

This is Tomorrow, review of Difference Engine Accumulator 2, by Ciara Healy, 2013.

The Sunday Times, Review of Difference Engine, SOMA, by Cristin Leach, November 2011.

The Sunday Times, Review of New Connections, Rua Red, by Cristin Leach, May 1^st 2011.

The Examiner, review of Difference Engine, Manifestation 2, by Anna Crudge, June 2010.

Irish Arts Review, ‘The elegance of choice’, by Catherine Marshall. Summer Edition 2010.

Visual Arts Ireland news sheet, review of Preponderance of the Small. Jan/Feb issue 2010.

The Irish Times, Saturday, May 30, 2009, New forms, solid values, by Aidan Dunne.

The Irish Times, Wednesday 11th June 2008. Review of Eigse Arts Festival by Aidan Dunne.

The Evening Herald, Thursday 24th April 2008, Cross Gallery solo review by Padhraig Nolan.

The Irish Times, Wednesday 23rd April 2008, Cross Gallery solo review by Aidan Dunne.

Sunday Tribune, 30th December 2007 by Emiear Mckeith.

The Irish Times, 15th August 2007, ‘Friends and other animals’, by Aidan Dunne.

The Irish Times, Monday, January 22nd 2007, ‘Firm commitment to Art’ by Aidan Dunne.

The Irish Times, Thursday, June 1st, 2006, ‘Portraits of the artists’ by Aidan Dunne.

The Irish Times, May 10th 2006, Cross Gallery solo review by Aidan Dunne.

The Irish Times, October 2004, Cross Gallery solo review by Aidan Dunne.

The Irish Times, December 16th 2004,’Narrow focus to see the future’, by Aidan Dunne.

The Irish Times, July 3rd 2002, Cross Gallery solo review by Aidan Dunne.

In Dublin Magazine, July 2002 issue, Cross Gallery solo.

Art Bulletin, May 2001, Brunswick Mill Studio review.

The Irish Times, November 2001 by Sue Carter.

The Irish Times, 28th June 2001, by Aidan Dunne.

In Dublin Magazine, February 2001 by Morgan Feely.

The Irish Times, 14th June 2000, Degree show review by Aidan Dunne.

The Irish Times, Thursday, May 27th 1999, ‘Limericks mini marathon’, by Aidan Dunne.

Publications

Exhibition catalogue Edgelands at the Molesworth Gallery 2023.

Exhibition catalogue 193rd RHA Annual Exhibition 2023.

Exhibition catalogue, Pallas Periodical Review, 2022.

Exhibition catalogue, Dubliners, curated by Mark Cullen and Gavin Murphy, HDLU, Zagreb.

189th RHA Gallery, Annual Exhibition catalogue 2019.

Exhibition catalogue, this entropic order, solo exhibition at The Weber and Weber Gallery, Turin, 2018.

RESORT Revelations, 2018.

Difference Engine, Alternators, exhibition catalogue for Difference Engine Alternators at the HDLU, Zagreb, Croatia, 2018.

Imago Mundi Ireland, catalogue of Irish artists 2016.  www.imagomundiart.com

eminent domain II, booklet to accompany solo exhibition at Pallas Projects, Dublin, 2015.

Mason Hayes and Curran, catalogue of current art collection, 2015.

Royal Hibernian Academy, 185th Annual Exhibition catalogue 2015.

40/40/40 Exhibition catalogue of Contemporary Art celebrating Ireland’s 40 years in the European Union, exhibition touring to Centro Cultural Conde Duque, Madrid, (March – April), Biblioteka Uniwersytecka, Warsaw, (May – June) and Palazzo Della Farnesina, Rome, (June – July), 2013.

Difference Engine, 2009 – 2012, published by Difference Engine, 2012/2014.

Album cover design for the Damo Susuki Network, Farpoint recordings, 2009.

Royal Hibernian Academy 179th Annual Exhibition catalogue 2009 ISBN 1-903875-50-1 

Representing Art in Ireland, published by the Fenton Gallery, 2008. ISBN  978-0954484385

Royal Hibernian Academy 177th Annual Exhibition catalogue 2007 ISBN 1-903875-42-0 

Pallas Contemporary Projects, catalogue of exhibitions 2007.

Royal Hibernian Academy 176th Annual Exhibition catalogue 2006 ISBN 1-903875-30-7 

Royal Hibernian Academy 172nd Annual Exhibition catalogue 2002 ISBN 1-903875-